A Good Man is Hard to Find Summary

A Good Man is Hard to Find Summary A Good Man Is Hard to Find Summary NOTE! The below paper is just an example written by one of our staff writers. If you need an original summary of A Good Man is Hard to Find or a paper on a different topic, feel free to place your order. The short story of Flannery O’Connor, â€Å"A Good Man Is Hard to Find† is arguably one of her best literary works. The story presents the passive view of the writer about the outcome of the life. Like many other works of the writer, this particular story also exhibits her deep religious insight and its application in her works effectively to emphasize on the place of religious thought in one’s way of life. The short story also projects OConnors masterly use of local color and the local dialect. The short story, hence, illustrates O’Connor’s excellent craft of characterization and evolving that character to extract a truth about life. A Good Man Is Hard to Find Summary A Good Man Is Hard to Find by Flannery O’Connor opens in the household with a discussion of planning a tour to Florida. The characters of the story are gradually introduced afterwards; the main one being the grandmother. She lives in the house with her son Bailey and his wife, along with their two children. The most hated character of the story, the Misfit gang, is introduced later. The grandmother reads about the escape of the heinous Misfit gang from the federal jail and about the impending danger that may arise from them. Hence, the Grandmother insists on going to Tennessee instead of Florida. The tour is decided to be towards Florida. The next day, on the way in the car, Grandmother thinks about an old plantation, a little past a place called Toomsboro. The detour taken after the Grandmother ignites the desire of the children by telling them a false story about a hidden gate will eventually meet the car with an accident. At this moment Misfit arrives at the place in a car and Grandmother recognizes them. This very recognition will consequently lead to the death of the whole family. A Good Man Is Hard to Find Themes A Good Man Is Hard to Find by Flannery O’Connor contains a wide number of themes to effectively convey the message of the moment to the readers of the work. As supported by Ryan et al. (85-109), themes in are recurrent concepts of a literary work. Through the identification of the themes of a story, the readers can easily get to the core of the writing and successfully critically evaluate the literary work. The most recurrent themes of O’Connor’s stories are death, loss and mortality. These themes are vividly dealt in most of her writings. Speaking about the themes in A Good Man Is Hard to Find story, death among these themes takes the primary place. Theme of Death in A Good Man Is Hard to Find The most effective theme of A Good Man Is Hard to Find by O’Connor which registers its presence in the minds of the readers is death. The most dangerous revelation of modern life is discovering a sudden violence in the hands of unknown assailants and facing the death hence. In the opinion of Jockers et al. (750-769), a notable aspect of Flannery O’Connor’s writings is the omnipotent demonstration of death throughout the life of her characters. From the very commencement of the short story, the theme of death in A Good Man Is Hard to Find has been dominating the minds and activities of the characters. Grandmother insisted on her son changing the tour to Tennessee from Florida, as the vicious gang of Misfit is likely to be present in that area. The theme of death compels grandmother to carry her cat in the tour hiding in the car. Many of Flannery O’Connor’s notable literary pieces either start or finish with death. This illustrates the mastery of the writer in using death as a recurrent theme of her writings. In the short story â€Å"A Good Man is Hard to Find† Flannery O’Connor illustrates the deep truth of Christianity through the use of the theme of death. Grace is an important issue of Christian theology. The very name of the place where the party takes detour represents presence of the theme of death in the story. The team takes a detour from Toomsboro to reach to the place told by the grandmother, which is actually not there. The gang of Misfit represents death in a more vivid manner. The news published in the papers about their escape from a jail infuses fear in the mind of grandmother. The death theme in A Good Man Is Hard to Find has also been utilized by the narrator to show grace and misplacement of grace in the story. It is the very notion of death which brings grandmother to recognize Misfit as one of her children. The very fear of death forces the grandmother to pledge forgiveness from Misfit on the basis of her being a lady. It is the theme of death that helps the reader to understand the psychology of Misfit. Through the words of Misfit, the significance of the theme of death in A Good Man Is Hard to Find has been revealed. As indicated by Harris and Abbie (5-24), death is the most prized gift that life offers to the Christians. The words of Misfit, â€Å"No pleasure but meanness†, illustrate the depth of the theme of death in the psychology of the characters in Flannery O’Connor’s A Good Man Is Hard to Find. Towards the end, when Misfit kills grandmother, we again witness the presence of death and its significance in the short story. With this last death of the story, the conclusion of the story is drawn. It also signifies the convenient notion of all or nothing of Christianity. The death of grandmother intensifies this notion through receiving death in the hands of Misfit. Literary elements in A Good Man Is Hard to Find The presence of various literary elements in literary works makes the particular piece of literature rich and helps the author create the desired atmosphere which is needed to express the characters and their feelings. Various literary elements also assist an author in expressing a lot of things saying a very little one. The stories of Flannery O’Connor are generally full of such literary elements which make her works a delight to comprehend and an attractive piece for the critiques. Imagery in A Good Man Is Hard to Find Flannery O’Connor’s story â€Å"A Good Man is Hard to Find† demonstrates the use of imagery to its best. The recurrent themes of the story have been sensitively conveyed to the readers by using some appealing imageries in some crucial points of the story by the narrator. Throughout the story, the usage of the animal imagery has been considered to be significant by critics. The names of the animals like rabbit, cat, hippopotamus and snake have been used to construct the imageries in A Good Man Is Hard to Find. The touch of grandmother in the shoulder of Misfit has been described as â€Å"if a snake had bitten him.† The kerchief of the mother has been described as â€Å"rabbit’s ear.† The valise of grandmother has been represented in the story as â€Å"like the head of a hippopotamus.† As put by Desmond and John (129-137), several imageries used in A Good Man Is Hard to Find played a significant role in conveying the inner thought of the writer to the readers. The snake touch of grandmother reveals the perception of Misfit about grandmother. The valise, being described as the head of a hippopotamus, signifies to loads of unrelated past in the mind of grandmother. On the other hand, the animalistic character of the main characters of the A Good Man Is Hard to Find reveals as they do not bear the meaning or principles of their actions. For example, the father wears a shirt which shows a parrot. Like a parrot, the father is blank in terms of understanding the meanings of the ongoing. Conclusion The short story â€Å"A Good Man is Hard to Find† illustrates the significance and usefulness of employing themes and imageries in a literary work and also unearths how these elements can be used to convey the core thoughts of a literary work to the readers. A Good Man Is Hard to Find short story is a successful attempt of the author to convey and mingle various elements of literature and the impact of aspects of religion in the life of the people at that time. Desmond, John. Flannery OConnors Misfit and the Mystery of Evil. Renascence 56.2 (2004): 129-137. Harris, Abbie C. Jesus Thrown Everything Off Balance: Grace and Redemption in Flannery OConnors A Good Man are Hard to Find. Papers Publications: Interdisciplinary Journal of Undergraduate Research 3.1 (2014): 5-24. Jockers, Matthew L., and David Mimno. Significant themes in 19th-century literature. Poetics 41.6 (2013): 750-769. Ryan, Gery W., and H. Russell Bernard. Techniques to identify themes. Field methods 15.1 (2003): 85-109.

A Comic Poem About English Spelling and Pronunciation

A Comic Poem About English Spelling and Pronunciation Composed by Dr. Gerard Nolst Trenità © (1870-1946), a Dutch author and teacher, The Chaos illustrates many of the irregularities of English spelling (orthography) and pronunciation. The Chaos by Charivarius (Gerard Nolst Trenità ©) Dearest creature in Creation,Studying English pronunciation,I will teach you in my verseSounds like corpse, corps, horse, and worse.I will keep you, Susy, busy,Make your head with heat grow dizzy;Tear in eye, your dress youll tear;So shall I! Oh, hear my prayer.Pray, console your loving poet,Make my coat look new, dear, sew it!Just compare heart, beard, and heard,Dies and diet, lord and word.Sword and sward, retain and Britain(Mind the latter, how its written!)Made has not the sound of bade,Say-said, pay-paid, laid, but plaid.Now I surely will not plague youWith such words as vague and ague,But be careful how you speak,Say break, steak, but bleak and streak.Previous, precious, fuchsia, via;Pipe, snipe, recipe and choir,Cloven, oven; how and low;Script, receipt; shoe, poem, toe.Hear me say, devoid of trickery:Daughter, laughter and Terpsichore,Typhoid; measles, topsails, aisles;Exiles, similes, reviles;Wholly, holly; signal, signing;Thames; examining, combining;Scholar, vicar, and cig ar,Solar, mica, war, and far. From desire: desirableadmirable from admire;Lumber, plumber, bier, but brier;Chatham, brougham; renown but known,Knowledge; done, but gone and tone,One, anemone; Balmoral;Kitchen, lichen; laundry, laurel;Gertrude, German; wind and mind;Scene, Melpomene, mankind;Tortoise, turquoise, chamois-leather,Reading, Reading, heathen, heather.This phonetic labyrinthGives moss, gross, brook, brooch, ninth, plinth.Billet does not end like ballet;Bouquet, wallet, mallet, chalet;Blood and flood are not like food,Nor is mould like should and would.Banquet is not nearly parquet,Which is said to rhyme with darky.Viscous, viscount; load and broad;Toward, to forward, to reward,And your pronunciations OK.Rounded, wounded; grieve and sieve;Friend and fiend; alive and live.Liberty, library; heave and heaven;Rachel, ache, moustache, eleven,We say hallowed, but allowed;People, leopard; towed, but vowed.Mark the difference, moreover,Between mover, plover, Dover,Leeches, breeches; wise, precise;Chalice but pol ice and lice. Camel, constable, unstable;Principle, disciple; label;Petal, penal, and canal;Wait, surmise, plait, promise; pal.Suit, suite, ruin; circuit, conduitRhyme with shirk it and beyond it.But it is not hard to tellWhy its pall, mall, but Pall Mall.Muscle, muscular; gaol, iron;Timber, climber; bullion, lion,Worm and storm; chaise, chaos, chair;Senator, spectator, mayor.Ivy, privy, famous; clamourAnd enamour rime with hammer.Pussy, hussy, and possess,Desert, but desert, address.Golf, wolf, countenance, lieutenantsHoist in lieu of flags left pennants.Courier, courtier, tomb, bomb, comb,Cow, but Cowper, some, and home.Solder, soldier! Blood is thicker,Quoth he, than liqueur or liquor,Making, it is sad but true,In bravado, much ado.Stranger does not rhyme with anger,Neither does devour with clangour.Pilot, pivot, gaunt, but aunt,Font, front, wont, want, grand, and grant.Arsenic, specific, scenic,Relic, rhetoric, hygienic.Gooseberry, goose, and close, but close,Paradise, rise, rose, and dose. Say inveigh, neigh, but inveigle,Make the latter rhyme with eagle.Mind! Meandering but mean,Valentine and magazine.And I bet you, dear, a penny,You say mani-(fold) like many,Which is wrong. Say rapier, pier,Tier (one who ties), but tier.Arch, archangel; pray, does erringRhyme with herring or with stirring?Prison, bison, treasure trove,Treason, hover, cover, cove,Perseverance, severance. RibaldRhymes (but piebald doesnt) with nibbled.Phaeton, paean, gnat, ghat, gnaw,Lien, psychic, shone, bone, pshaw.Dont be down, my own, but rough it,And distinguish buffet, buffet;Brood, stood, roof, rook, school, wool, boon,Worcester, Boleyn, to impugn.Say in sounds correct and sterlingHearse, hear, hearken, year and yearling.Evil, devil, mezzotint,Mind the Z! (A gentle hint.)   Now you need not pay attentionTo such sounds as I dont mention,Sounds like  pores, pause, pours  and  paws,Rhyming with the pronoun  yours;Nor are proper names included,Though I often heard, as you did,Funny rhymes to  unicorn,Yes, you know them,  Vaughan  and  Strachan.No, my maiden, coy and  comely,I dont want to speak of  Cholmondeley.No. Yet  Froude  compared with  proudIs no better than  McLeod.But mind  trivial  and  vial,Tripod, menial, denial,Troll  and  trolley, realm  and  ream,Schedule, mischief, schism, and  scheme.Argil, gill, Argyll, gill. SurelyMay be made to rhyme with  Raleigh,But youre not supposed to sayPiquet  rhymes with  sobriquet.Had this  invalid invalidWorthless documents? How  pallid,How  uncouth he, couchant, looked,When for Portsmouth I had booked!Zeus, Thebes, Thales, Aphrodite,Paramour,  enamoured, flighty,Episodes, antipodes,Acquiesce, and  obsequies.Please dont monkey with the  geyser,Dont p eel taters with my  razor,Rather say in accents pure:Nature, stature  and  mature.Pious, impious, limb, climb, glumly,Worsted, worsted, crumbly, dumbly,Conquer, conquest, vase, phase, fan,Wan, sedan  and  artisan. The  TH  will surely trouble youMore than  R, CH  or  W.Say then these phonetic gems:Thomas, thyme, Theresa, Thames.Thompson, Chatham, Waltham, Streatham,There are more but I forget em-Wait! Ive got it:  Anthony,Lighten your anxiety.The archaic word  albeitDoes not rhyme with  eight-you see it;With  and  forthwith, one has voice,One has not, you make your choice.Shoes,  goes, does. Now first  say:  finger;Then say:  singer, ginger, linger.Real, zeal, mauve, gauze  and  gauge,Marriage, foliage, mirage, age,Hero, heron, query, very,Parry, tarry fury, bury,Dost, lost, post, and  doth, cloth, loth,Job, Job, blossom, bosom, oath.Faugh, oppugnant, keen  oppugners,Bowing, bowing, banjo-tunersHolm  you know, but  noes, canoes,Puisne, truism, use, to  use?Though the difference seems  little,We say  actual, but  victual,Seat, sweat, chaste, caste, Leigh, eight, height,Put, nut, granite, and  unite.Reefer  does not rhyme with  deafer,Feoffer   does, and  zephyr, heifer.Dull, bull, Geoffrey, George, ate, late,Hint, pint, senate, but  sedate.Gaelic, Arabic, pacific,Science, conscience, scientific;Tour, but  our, dour, succour, four,Gas, alas, and  Arkansas. Say  manoeuvre, yacht  and  vomit,Next  omit, which differs  from itBona fide, alibiGyrate, dowry and awry.Sea, idea, guinea, area,Psalm, Maria, but  malaria.Youth, south, southern, cleanse  and  clean,Doctrine, turpentine, marine.Compare  alien  with  Italian,Dandelion  with  battalion,Rally  with  ally; yea, ye,Eye, I, ay, aye, whey, key, quay!Say  aver, but  ever, fever,Neither, leisure, skein, receiver.Never guessit is not  safe,We say  calves, valves, half, but  Ralf.Starry, granary, canary,Crevice, but  device, and  eyrie,Face, but  preface, then  grimace,Phlegm, phlegmatic, ass, glass, bass.Bass, large, target, gin, give, verging,Ought, oust, joust, and  scour, but  scourging;Ear, but  earn; and  ere  and  tearDo not rhyme with  here  but  heir.Mind the  O  of  off  and  oftenWhich may be pronounced as  orphan,With the sound of  saw  and  sauce;Also  soft, lost, cloth  and  cross.Pudding, puddle, putting. Putting?Yes: at golf it rhymes with  shutting.Respite, spite, consent, resent.Liable, but  Parliament.Seven  is right, but so is  even,Hyphen, roughen, nephew, Stephen,Monkey, donkey, clerk  and  jerk,Asp, grasp, wasp, demesne, cork, work.A  of  valour, vapid vapour,S  of  news  (compare  newspaper),G  of  gibbet, gibbon, gist,I  of  antichrist  and  grist,Differ  like  diverse  and  divers,Rivers, strivers, shivers, fivers. Once, but  nonce, toll, doll, but  roll,Polish, Polish, poll  and  poll.Pronunciationthink of  Psyche!-Is a paling, stout and  spiky.Wont it make you lose your witsWriting  groats  and saying  grits?Its a dark abyss or tunnelStrewn with stones like  rowlock, gunwale,Islington, and  Isle of Wight,Housewife, verdict  and  indict.Dont you think so, reader,  rather,Saying  lather, bather, father?Finally, which rhymes with  enough,Though, through, bough, cough, hough,sough, tough?Hiccough  has the sound of cup . . .My advice is: give it up! The Chaos by Dr. Gerard Nolst Trenità © first appeared (in a shorter version) in an appendix to his textbook  Drop Your Foreign Accent, published in 1920.

SOX Project Essay Example | Topics and Well Written Essays - 2500 words

SOX Project - Essay Example Correspondingly, the study reveals that the company has been able to conduct operations in a reliable as well as sustainable manner. Economy and finance are interrelated subjects in the present day context. Thus, financial institutions are required to protect themselves from crisis and recession conditions for better business sustainability. It is with this notion that the United States Federal Law has been implemented at different levels to protect financial institutions from forecasted crises. Additionally, these laws have been enacted with the intention of ascertaining that financial institutions are administered well proficiently to minimize malpractices conducted by corporate entities at often instances (Ryu et al., 2006). A prominent example of such a law is the US implemented Sarbanes-Oxley Act (SOX), which was enacted in the year 2002 with the intention of restoring confidence among market segments and corporate sectors worldwide following the liquidation of Enron Corporation. This Act was intended to assist in resolving issues existing within the auditing or accounting practices conducted by professional s as per the company legislations. Formally, in the Senate, the SOX Act is known as â€Å"Public Company Accounting Reform and Investor Protection Act† and in the House, it is identified as â€Å"Corporate and Auditing Accountability and Responsibility Act† (OSHA, 2011). In this essay, the effectiveness of the SOX Act will be assessed with consideration to HSBC Finance Corporation, which is a subsidiary of Hong Kong Shanghai Banking Corporation (HSBC) Group, headquartered in the UK. It is a financial service providing company. The company is also identified to provide different financial services that include auto loans, real estate loans, insurance products and Visa credit card as well as MasterCard loans among others. In this context, the company operating in the US is required to

Marketing Strategies Implementation Assignment Example | Topics and Well Written Essays - 3500 words

Marketing Strategies Implementation - Assignment Example The present research study endeavours to produce ways to implement marketing strategies for British Sugar. British Sugar was founded almost 100 years back. Today the company can boast about being one of the leading sugar producers in the United Kingdom. The company is into several types of products like sugar, aggregate, animal feed, bio ethanol, electricity, food centre, tomatoes, TOPSOIL, and LimeX. 2.0 Identification and prioritization of the current issues and challenges 2.1 Industry as a whole The sugar production industry sourced the raw materials over the past five years. United Kingdom is highly dependent upon the global sugar market. This kind of over dependency on the global sugar market, makes the UK sugar market susceptible to huge fluctuations in production, supply, and other factors like the weather conditions and the prices in the internal sugar market (Armstrong and Schultz, 1992). United Kingdom was slow to realize that the sugar industries need to have some kind of reform. This is the reason the sugar reform happened after much delay, as late as 2006. This reform which is supposed to create facilities for the sugar market has in turn created a lot of problems, like imposing various kinds of quotas, various kinds of import tariffs and export tariffs. The imposition of the various tariffs has created a lot of problems (Brown and Dant, 2009). For example the companies which are small in size and also do not have very high turnover have problems paying innumerable tariffs. This adds to the production cost of the companies. Statistics indicate that the production of the sugar beet has fallen sharply across the whole of European Union. For this reason a lot of states in UK have decided to substitute beet sugar for ethanol and other kind of bio fuels. Despite the fact that the sugar industry is experiencing increasing pressure to keep the costs of production as low as possible together, compounded with dwindling profit margin, the sugar business stil l remains as one of the most vibrant business in UK (Day and Montgomery, 1999). 2.2 The current market position The UK sugar market excluding artificial sweeteners, but including sugar and spice is dominated by two firms which are British Sugar and Tate & Lyle. These two firms have a combined market share of 75%. This indicates that the national sugar market is highly concentrated. Although the overall sugar market of Europe is not as concentrated as United Kingdom (Dillon, 2001). The very high concentration is due to the strict regulatory reforms that increased the tariffs, which in turn has decreased the competition. Unlike the other competitor companies like Ab Sugar, the company alone has the privilege of holding the whole quota of the European Union. British Sugar alone caters to a market which is larger than the market served by the rest of the competitors in all respects. This explains that British Sugar is in a better position compared to competitors in terms of exposure to market. Unlike the competitor like Tate & Lyle and different smaller companies which resort

Global war on terrorism Essay Example for Free

Global war on terrorism Essay Serving my country is one of the bravest and greatest things I have done in my life. I was the first sergeant of Bravo 796 of the 14 military police brigade. Being the first sergeant was one of the most exciting jobs I have ever done, yet tough and hard, with a lot of personal responsibilities. The position is a bit challenging and demanding, so I had to be tough too. On a single day, the things that you I had to do were many, with many people complaining that they cannot get a hold of you. This might have been true, because of all the jobs that had to be done. My job was people. Dealing with people’s problems every day, starting from their health, welfare, discipline, and morale to mention but a few was the order of the day. From the time that I started my day, sometimes as early as one o’clock in the morning, having to deal with people’s problems and at the same time complete my duties at the end of the day, was so tiring. Most of the time, I had little or no time to do the paper work, as most of the duties involved outdoor activities. There was also no enough time spend with my family. The job requires that the needs of the country and the service be put before the personal needs. By doing this, I was able to enjoy the rewards of my military career. I also had to be skilled enough in matters concerning the army, because the position requires a person that is knowledgeable enough. Therefore, a lot of learning was necessary, for me to meet the demands of the position. I was mobilized for Global war on terrorism on the July of 2006 up to January 2009. Our mission was to train and to provide disciplined, physically fit, motivated, tactically and technically fit military police soldiers. The soldiers had to be familiar with the values of the army, and their character and conduct had to be pleasant, and reflecting the values of the military. In my experience as a first sergeant, one of my duties was to over see the smooth training of the soldiers in law enforcement duties. Some of the subjects that were taught were basic law enforcement tasks, reports and reforms, responding to incidents, unarmed self defense, maneuver and mobility support operations and enemy prisoner of war operations. I had to ensure that the soldiers were familiar to and fully understood the concepts that these subjects taught. Since the first sergeant’s position is the one at which all units merge, there are several key duties that are attached to this position, including holding formations, instructing the platoon sergeants, advising the commander and assisting in the training of the enlisted members. Relationship with the soldiers When the young soldiers to be first arrive at the training grounds, many of them are not aware of the reality of military training. They are not used to being shouted at and to obey orders, even when they do not feel like. They are also not used to being woken up so early in the morning by an officer shouting so loud at them. For many of them, it is their first time to leave home, or to be away from home alone for the first time to stay on their own. Despite these difficulties, they have to be treated in a manner that will harden them. As a sergeant, I had to treat the soldiers in such a way that they will able be to survive, even at the worst conditions. They have to live where they are asked to live, even when the situation is uncomfortable. However, these difficulties are imposed on purpose, to adjust the soldier’s attitude to the military way of thinking. Furthermore, it makes it easier to impose self discipline, obedience, loyalty, military rules, military policies, etiquette and sacrifice among other values and customs of the military to them. Some people say that the military officers gain pleasure in making the lives of the soldiers difficult. However, from my experience, I would not say that this is true. They only adhere to the rules of the military, to train the soldiers both physically and psychologically, in order to tear apart the civilians, and build from scratch a dedicated, physically fit and a proud member of the United States Armed Forces. Being in direct contact with the soldiers, and at the same time able to influence them for the better using your power is the key to earning their respect and to understand them. This is one of the most importance things that the first sergeant has to do. Your influence is so important that it determines whether a company will fail or deteriorate. As the first sergeant, I had to take all the knowledge I had and effectively pass it to the commanders of the units to teach it to the soldiers effectively, and at times training them myself. Being the first sergeant, you can only know if your efforts in training the soldiers have been effective through the behavior and the work of the soldiers. Normally, I had to make sure that my behavior, especially when around the soldiers is at its best. If a sergeant’s behavior is rotten, then the company will definitely copy that, and the results will be rotten soldiers. I also had to be completely involved and aware of every thing that goes on in the army, especially with the soldiers. This is why the position is so important, that most people refer to it as the livelihood or the blood of the army. A sergeant is required to act as an exhibitionist, to display his impressive character to all the other members. Sometimes, it may be said or thought that he is boasting; such a behavior is not egotistical, but it is required and can be viewed as a way of setting the example. Therefore, I had to ensure that my behavior is exceptional and outstanding. By doing this, it is assumed that the members of the unit will want to be exceptional too, putting aside their differences involved at a personal level, and work or live as brothers. As the duty of the first sergeant, I had to train the members of the units to the best of my interests, and be proud of them and their achievements. This entails praising the soldiers and talking proudly of all their success and positive attitudes to different people. In my experience, I learnt that a first sergeant’s role is important, in that he should act as the leader for the soldier’s success, and should he fail, the unit members may fail too. To attain the best of the soldiers, he needs to discipline them and be tough, to ensure their behavior is pleasant and acceptable in the military. He should also be a wise counselor, giving them advice whenever they need it. Being a provider is also a major duty of the first sergeant to ensure that they are comfortable. I also had to be a confidant to the soldiers of my company, listening to them and also being a friend in general. These are some of the aspects that bring the sergeant and the soldiers closer, to establish a close relationship comprising respect and concern to them. Relationship with the captain A unique relationship comprising of respect and confidence should exist between the sergeant and the commander. This relationship should not be the buddy to buddy kind of relationship, but one based on the work values. In most cases, such a relationship with the captain is not so common with officers of other ranks within the military. Being the first sergeant, I had to ensure that the will of the captain is carried out. When the first sergeant is given the title during his appointment, then he is automatically given authority to pass his ideas to the captain, to ensure the learning of the soldiers is as effective as it can be. While advising the captain, I sometimes found myself arguing or disagreeing with him on several matters. This is where there the authority, professional relationship, past experiences, and loyalty with the captain was required. At times, there are situations when the captain is not as experienced as the first sergeant. This may lead him to disregard the advice given to him by the sergeants. There can also be times when the sergeant’s reasoning has saved the captains reputation, which signifies the important role of the sergeant as the advisor to the captain; that failing to take the sergeant’s advice may lead them to making blunders that may cost them their jobs. In conclusion, I would say that the role of a sergeant is very important in the military training ground. Being a good leader, showing all the desirable characteristics, and above all things being able to interact with people of all kinds were some of the characters that guided me. Otherwise, I would not have been able to execute the position’s duties, and my job would have been a lot harder. Training the soldiers to the best of my knowledge for the sake of the countries safety was my priority, and today, I am proud of the service I gave my country. References 1) Military, Global security. org, 2009, retrieved on 2/9/2009 from http://www. globalsecurity. org/military/intro/enlist. htm

Brazil Facts Essay -- Brazil

Brazil Introduction You probably heard of Brazil but, do you know much about it? Brazil is a beautiful place or country, in South America. It’s great for tourists’ sites; it has amazing land features, and especially cool culture and history. Brazil has a tremendous amount of nature and folktale. Brazil was found actually, over 8,000 years ago. The Portuguese were the first European settlers to arrive there. The journey was led by Pedro Cabral who began in the 1500s. When they finally got there they found Native Americans living there. They were around the seven millions. Now over the thousands of years Brazil has literally transformed into modern day. Brazil is the Federal Republic of Brazil. Brazil is in South America and is the largest country there. It’s the fifth largest country in the whole world. Brazil may be the fifth largest country but, it’s the sixth largest nation or population. The population in Brazil is 186 million and the life expectancy for men is 68 years old, for women its 76. In 1494, Pope Alexander VI gave Brazil to Portugal. Then in 1762, Rio De Jan...

Home For Christmas Essay

Alexander Williams sighed as he rummaged through the huge stack of articles that covered his desk. He only had one week to make his final decision and he knew without any doubt, his final answer to Maria Carter wouldn’t be easy. She had begged him to stay with the newspaper agency, time and time, again. She had grown rather fond of him over the years and it broke her heart knowing that this would most likely be the last week she had to spend with him. She did know that his heart was in New Hampshire where he had grown up and would always be the one place he could truly call home. Charlotte, North Carolina had been the beautiful city where he had lived and worked for more than two decades and although he had became familiar with his surroundings and had made many friends in the Queen City, he still desperately felt that the remainder of his years should be spent with his close family. The Charlotte Gazette had offered him a prominent and enjoyable writing position where he wrote daily articles, but still, there was this huge need to return to his roots. â€Å"I see you’re still with us, Williams. I don’t see boxes full of photographs and awards, so far. It’s a good sign! † Maria knew that he had probably already made up his mind to go but still every time she passed his office, her curiosity made her peek inside to make sure he hadn’t made packed up his belongings. He had been her top journalist since day one at the Gazette and the thought of not seeing his smiling face and hearing his enthusiastic voice radiating through the building saddened her, greatly! â€Å"I’m seriously torn, Maria. I know I should just make up my mind and give you a definite answer but I can’t. I’m taking this last week to think it over but one thing’s for sure, if I do decide to move to New Hampshire, you‘ll be the first to know. † â€Å"But, you’ll miss out on the huge Christmas party on Friday. † Spending time with Alexander at Christmas had been a festive occasion that she had always looked forward to and now she knew she had no other choice but to get used to the idea of him not being there. â€Å"Seeing you dressed as Mrs. Claus would be exciting! † Alexander smiled as he thought about seeing his boss in the red garb that stretched across her arm. It’s all up to you and I do have several interviews scheduled but I’m still hoping we won’t need to fill your position. I seriously doubt anyone is capable of filling your shoes, anyway. † Maria had known what an expert writer was all about, the first day he walked into her office and asked for the position. He had a remarkable resume and when she took a look at some of his sample articles, she knew he was her man. He was able to create prize-winning stories out of ordinary events and had made The Charlotte Gazette one of the best-selling newspapers in the country! For the next week, Alexander had spent every extra second going over his decision. His mother had begged him to come home and his sister and brother told him they had already found him the perfect house where he could retire, happily and grow old without the hassle of rushing to his office and fretting over every little incident that took place in Charlotte. They knew Alexander had spent far too many years away from home and they yearned for him to return to the place where he grew up. On Friday, the entire building was decorated to perfection. Each red ribbon that draped the office doors were sparkling with glitter and every snowflake that hang from the ceiling reminded him that Christmas was near. The boxes had already been neatly packed in the corner of his office and when Maria saw with her own eyes that there wasn’t even a single photograph, in sight, she realized he had made his final decision. He was going home to his family. He was retiring and giving up something that she knew more than anyone, was the biggest passion in his life. She was going to miss him more than he would ever know. She should have told him about her strong emotions for him but it was too late. There was no sense in even asking him to stay, again. She could see as he looked into her eyes that he had made his choice. â€Å"Need some help with those boxes? † She tried to say it without him seeing her eyes tearing up but it was hopeless now and she had already shown him how vulnerable she felt about what he was doing. â€Å"And, a ride to the airport if you can swing it? Taking cabs are so informal, you know? † He had dreaded this part of moving more than anything but he did want to spend his last few hours with the woman who he had grown so close to over the years. The ride to the airport was spent with lots of laughter and as the first snowflakes of winter blew through the city, Alexander not only felt sadness about leaving but he started to feel the joy of the season with each new bluster of white. He hoped he had made the right choice in leaving his writing position at the Gazette but he knew he would always feel a tugging at his heart when he thought about his job there and of course, when he remembered Maria and as they said their last goodbye, the tears in each of their eyes said more than they could ever dare with mere words. The Christmas party was in full swing and the band hand been playing carols for nearly an hour before Santa finally arrived. Mrs. Claus was sitting comfortably in her chair handing out the first gifts as the lead band member asked for silence in the room. â€Å"It isn’t proper for Mrs. Claus to do all the work on such a special occasion! We have a special gentleman do all the grunt work. † He enlightened them through the microphone. As Santa Claus entered the room, the crowd applauded while he moved closer to the huge stack of presents under the tree and to Mrs. Claus who tried to smile through her sadness. I have a special gift for Mrs. Claus! † Santa belted out in laughter, followed by a jolly, â€Å"Ho ho ho! † The beard that covered his face was a wonderful disguise and as she opened the tiny red box and saw the engagement ring that glistened many colors as it reflected the brilliant lights from the tree, Maria was now crying tears of happiness. As she pulled the beard from Santa’s face, Alexander kissed her warmly. â€Å"Home is where I do need to be, Maria Carter and spending one day away from you, reminded me that home truly is where your heart is! I want to spend everyday, home with you! †

Cyber Crime Law

On March of 1994, Internet connection was brought to the Philippines. Only few people were familiar with the world wide web and was use only for basic communication such as email. Years have past and for the past 18 years almost all Filipinos are familiar with the internet. Using it not only for communication but also for video streaming, research, news, gaming and etch. It is now part of the lifestyle of 30% of the population of Filipinos. Our country even made it to top 20 nation using the internet, along with China, United States of America and United Kingdom.The internet has been very useful and its occurrence is seen as one of the most wonderful invention of all time. But as it widens, it's usage also became more useful to some opportunist, thefts and other criminals. Cyber bullying, identity theft, cyber harassment, violation of rights and many more offenses is now happening because of the availability of the internet. Now The Cyber Crime Prevention Act of 2012 or simply known as Cyber Crime Law had been pushed to legalization.However, the Cyber Crime Prevention Act gathered many criticisms and issues. Pouring comments about the topic were seen in many social media networks in the Philippines on the day of the act's effectivity. Some were in favor but many protests. Internet users also known as netizens criticizes the law. Cyber crime law was a good idea although some of the content is a redundancy such a the Child Pornography which was already implemented since the year 1975 and the revise in year 2009 in addition with the use of computer while committing the crime.Another issue that broke was when online libel was added. The said part of the law will be able to criminalize social media comments and post, blogs or news article uploaded on the web whenever you found it offensive. The penalty for the said crime was doubled from the original libel laws and this is scary for many politician might use this to silent their critics. What about our freedom of sp eech?On the Philippine Constitution of 1987 Article III Section 4 states that â€Å"No law shall be passed abridging the freedom of speech, of expression, or of the press, or the right of the people peaceably to assemble and petition the government for redress of grievances. † It is clear that that in our constitution, freedom of speech is part of our democracy. It is just right that our Supreme Court releases a temporary restraining order against the cyber crime law. It needs revision and a whole new study regarding every atter of its content. Cyber Crime Law is not bad, it's just not so precise nor accurate. The law apparently has great intentions of preventing violations of human rights within the cyber world. However, preservation of human rights with this system violates a very important rights which is freedom of speech. World Wide Web might be another world, but it is still part of our reality. Law is needed to protect the users, but a more definite and justifiable kin d of law.

The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities

The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities Lacanian Psychoanalytic Theory and Art Introduction Importance of the issue Appreciating pieces of art is a great pleasure as it gives us time for imagining the personalized meaning of those objects through our own personal mirrors of our egos and minds. Sometimes, we try to find the meaning of what we see or hear with the help of our instinct or intuitive feeling beyond the logic and strict reasoning to understand the pictures or sculptures.Advertising We will write a custom coursework sample on The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities specifically for you for only $16.05 $11/page Learn More The same can be claimed about psychology and different theories that are aimed at explaining human desires and unconscious intentions. The perception of art objects can be understood with the help of applying Lacanian psychoanalytic theory to objects depicted and the way people usually understand those. As psychological interpretation of contemporary art suggests abundant sources for comprehending our experience on art, it is possoble to use Lacanian psychoanalytic theory to understand the essential aspects of postmodern artworks in terms of the concept of desire. The relation between the concept of desire according to Jacques Lacan’s theory and such aspects as what is shown, what is seen, and the way of perception in the objects of art are of the main focus of the current paper. Aim and scope The current paper is aimed at showing the number of different explanations that can be evoked by implementation of Lacanian psychoanalytic theory while observing and discussing the objects of art such as mixed media sculptures created in contemporary conditions with the help of modern materials, techniques and methods including postmodern tendencies. In particular, reviewing the works designed by Louise Bourgeois including Arch of Hysteria (1993) and Cell (Eyes and Mirrors) (1989-1993) an d Yayoi Kusama’s Infinity Mirror Room – Phalli’s Field (1965) and Narcissus Garden (1966) can demonstrate the most prominent features of Lacanian theory in these art objects regarding desire in postmodernities. The art objects mentioned above will be analysed in the current paper in accordance with the Lacanian psychoanalysis theory that includes such aspects as concept of mirror, phallocentrism, femininity, and mirror with regard to desire and psycho-sexual tendencies. Theoretical Background Lacanian Psychoanalytic Theory Lacanian psychoanalytic theory’s main purpose is to evoke hidden side of human mind, the unconscious, so that people could explain things that seem ambiguous or, on the contrary, obvious. The number of explanations of the unconscious desire can vary due to the background of every person involved in the process of discussion. For instance, certain events, either negative or positive, in the life of a person influence his/her perception o f self and individual desire in different ways.Advertising Looking for coursework on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More According to Lacanian theory of mirror stage in terms of personality development, the aspect of Narcissism is the shared feature of personal human desire. â€Å"The mirror stage is also closely related to narcissism†1 as the Greek myth dwells on the beauty of a young man who fell in love with his own reflection in the water. â€Å"Lacan develops Freud’s concept by linking it more explicitly with its namesake, the myth of Narcissus†2. The mirror image in early childhood serves to mould a self-image that is not actually a self-image, but an ideal one of what we want to be, and, consequently, it serves to set a psychological drive toward self-definition based on a imaginary structure forced by the identification with external social order. In this respect, Lacan’s theory d oes not focus only on biological aspect of mirror stage of psycho-sexual development; the mirror stage is suggested as the primary stage in the perception of a person that helps to conceive the real image from the self and from others. The scope of ideas on the concept of mirrors can be presented in a multivolume work whereas the main ideas can be found in the theory of psychoanalysis established by Jacques Lacan. Though Lacan’s theory has proven to be one of the most insightful interpretations of our time, some critics found explanation and analysis of certain concepts gender-oriented and discriminating. For example, French feminists Julia Kristeva and Helen Cixous have argued about the objectivity of presentation of concepts of phallocentrism made by prominent theorists, philosophers, and psychologists Jacques Lacan and the person influenced by Lacan’s ideas, Jacques Derrida. Female writers criticized Lacanian theory because it suggested lack of self in women making them penis-less creatures deprived of the ego and associated more as a part of the male essence. In this respect, Helene Cixous’s essay ‘The laugh of the medusa’ is aimed at discussing the influence of gender aspects on cultural life of people, art objects, and language in particular. The author dwells on the difference between cultural concepts and gender aspects that, as the author claims, should not be mixed with one another and with biological peculiarities of life.3 The more we try to tie the aspect of gender to other areas of human life, the less appropriate these concepts may become. Different problems with the perception of this or that idea or object of art can be the main reason for treating the phallocentric concepts as those discriminating femininity as a feature of the gender. Julia Kristeva suggests the idea of â€Å"drives [that] involve pre-Oedipal semiotic functions†4; this statement can be considered one of the most appropriate ideas for discussion with regard to desire and drives in the process of analysing the objects of art.Advertising We will write a custom coursework sample on The Position Lacanian Psychoanalytic Theory Allots to the Art Object Regarding Desire in Postmodernities specifically for you for only $16.05 $11/page Learn More Phallocentrism is defined here as irrelevant panegyric on make sexual organ and behaviour of male representatives associated with their attitude to this organ as well. In this respect, the desire related to the objects of art can be found in the issue of glorification of the male sexual organ. The more theories try to approach the concept of the mirror, the more ideas appear in the process of analysis even on the simplest phenomena that did not suggest that many explanations of a specific term before. In this respect, it is necessary to emphasise that Lacanian psychoanalytic theory is aimed at provoking human thoughts on different subjects as a person wh o knows about the suggested concepts would use those ideas while analysing the objects of art. For instance, Jacques Lacan introduced a concept of mirror and explanation of the function of the unit I as suggested in psychoanalytic practice. His work â€Å"Mirror stage as formative of the function of the I as revealed in psychoanalytic experience† demonstrates the inner stage that is suggested to analyse as the initial condition or a ‘mirror’ as the inner reflection of all actions performed by a person. This mirror is treated as a specific place or an object used for analysis of actions, behaviour, and deeds by a person; such a self-analysis and counter-analysis are used for signification and counter-signification of the self.5 This concept was not critically perceived by female writers Cixous and Kristeva because it was not treated as the one that is posted against the femininity, female concepts, and feminine gender in general though the concept of mirrors helps to assess the role of desire in the analysis of the self. Desire in Postmodernities Postmodernism is a movement in art and architecture that can be considered one of the most influential trends in twentieth century due to its simplicity and complicatedness at the same time. Though different styles in art can be claimed to have found their application in culture, postmodern movement had a prominent impact on the architecture and art objects. As suggested by Tobin Siebers in his book Heterotopia: postmodern utopia and the body politic, the postmodernities can be compared to desire that cannot be explained and understood completely.6 On the other hand, it is necessary to trace the real meaning of postmodern art objects that can be insightfully explained using psychological analysis theories aimed at explaining human desires, fears, and intentions.Advertising Looking for coursework on art? Let's see if we can help you! Get your first paper with 15% OFF Learn More The analysis of the self can be performed through the use of mirrors that represent the relations between what a person wants to show and others want to see or are able to see. Besides, as suggested by Jacques Lacan, the desire can be clearly understood after analysis of the body: Fragmented body is analysed in terms of the desires and fears and the hidden intentions behind the reflection of different parts of the human body.7 Most postmodernists are sceptical of the concept, ‘certainty’ or ‘authentic truth’ because the function, meaning, and symbolic value are varied in the context or situation; the same can be traced in psychoanalysis where every detail is thoroughly examined to trace the connection between the desire and images usually reflected in the inner mirror. Though every object of art can be analysed in a different way, there is a number of traits that can be traced in most of them with regard to the gender of the author, the inner reflection of the actions, and attitude to the self, and other concepts that can be easily found in psychoanalytic theory established by Jacques Lacan. So, the objects of art created with regard to the tendencies and concepts established for postmodernities can be easily analysed with the help of Lacanian psychoanalytic theory designed merely at the same time as the postmodern movement. In this respect, it is possible to apply the concepts of psychoanalysis such as self-criticism by Freud8 to the objects of art designed by contemporary authors due to the background of authors and their reflection of the self in those art objects. Position of Theory to the Art Object Louise Bourgeois, Arch of Hysteria, 1993 The first object of art that should be analysed with regard to the concept of desire in postmodernities and the basic concepts revealed in Lacanian psychoanalytic theory is the one designed by Louise Bourgeois. This piece of art was created in 1993; the Arch of Hysteria can be considered one of the most feminine and delicate works created by this author.9 At the same time, it is powerful demonstration of the human body. And the name of the sculpture created using polished patina on the hanging piece made of bronze talks for itself. The attack of hysteria makes people change the positions of their bodies. The same can be traced when a person experiences some strong emotions or feelings and is not able to control the movements, gestures, and emotions expressed on his/her face. Every attack of hysteria can be depicted in another way because every individual has his/her own reflection of the self and is able to analyse the self using the inner mirror. The discussion of femininity is related to the ideas the author of this object of art found relevant due to the feminism movements and active involvement in those.10 The author manages to create her works without being too gender-discriminating toward the representatives of the opposite sex. Moreover, her work Arch of Hysteria ( 1993) can be considered the one that makes the male body the core concept of the overall image created. In this respect, the idea of phallocentrism vigorously criticised by Cixous and Kristeva can be easily traced in this particular object. Moreover, the body hanging in the air can be analysed using the concept of fragmented body with regard to the wholeness of the subject, totalization and autonomous self. In other words, the concept of desire in postmodernities can be explained with the help of this sculpture that seems to be aimed at dethroning the power of the male body by making it more feminine with the help of hysteria that was considered a female disease. Every person has certain secrets whereas all hidden desires and intentions can be revealed with the help of the psychoanalysis suggested by Lacan who based his theory on the concepts explained and analysed by Sigmund Freud. The main idea of the current object of art can be considered the real human emotion captured in the e arthly body while every gesture and movement made by the person helps to reveal this emotion and explain the reasons for experiencing it. In the same way, every person can be read as a book with the help of Lacanian psychoanalytic theory when every image, dream, or idea is the result of some events and situations that took place in the life of this person; the same events and situations can be treated as the reasons or causes of other events. The concept of desire can be considered the core idea of every piece of art because every author has certain desires and intentions and can use those as inspiration while designing the object of art. Moreover, the sexual desire can be traced in every art object that is aimed at reflecting the author’s intentions through the presentation of the human body. Louise Bourgeois, Cell (Eyes and Mirrors), 1989-1993 The next object of art is designed by the same author. This creation is represented through the cell which contains specific eyes an d mirrors. In this respect, it is necessary to trace the meaning transferred with the help of those objects to the meaning of the whole piece of art.11 The more different objects we introduce to the piece of art, the more complicated it becomes. The complicatedness of the object can be traced through the number of meanings attributed to every object it contains. In other words, the meaning of this Cell (Eyes and Mirrors)12 should be analysed with regard to the meaning of cell, eyes as parts of the human body, and mirrors and the concept of desire in postmodernities. It is possible to analyse every concept in turn and, after that, try to explain the meaning of the whole object of art bearing in mind the meaning of each separate object that is included in the structure. For instance, the work of art Cell (Eyes and Mirrors) designed by Louise Bourgeois in 1989-1993 can be analysed as a set of objects each having its own meaning and contributing to the meaning of the entire object. As e very object can have meanings with regard to the context, it is necessary to analyse the possibility for occurrence of meanings and the number of meanings that can depend on different factors. In other words, the background knowledge and situations that occurred in the life of a person prior to observation of a concrete object of art should influence his/her perception of this work. So, cell can be considered as the limitation or restriction imposed on a person by his/her parents, friends, or supervisors. Besides, certain prohibition can be treated as the reason for author to use such an object in the overall construction. If a person had no negative experience related to the image of a cell, this work of art would not evoke any negative emotions. The concept of eyes in combination with mirrors represents the reflection of the ideas with the help of mirrors. In addition, this combination can be treated as the desire of the author to show the audience something hidden in her inner se lf which can be seen only through the eyes. Thus, the eyes reflected in mirrors suggest a hidden desire of the author to reveal her hidden feelings or something she cannot say aloud. Another idea that comes to mind while looking at this object of art created by a woman is the female aspect of this work. In this respect, it is necessary to remember about the concern of all women about their look. As they often look in the mirror, they can see something that cannot be seen without a mirror. In other words, the mirror can be used as an instrument to show and see something mysterious or at least something that cannot be seen without this magical device. The desire to say something can be treated as the core concept of this work because mirrors and reflections can often say something a person is afraid to reveal to him/herself or is confused about the consequences of such information transferred to a stranger. Masks and disguise contribute greatly to the overall image of the object of ar t called Cell (Eyes and Mirrors) designed by Louise Bourgeois in 1989-1993 because it is a feature of most women to have many identities and play many roles while only a mirror can reflect the real image of a woman. Yayoi Kusama, Infinity Mirror Room – Phalli’s Field, 1965 It is necessary to mention that the object of art designed by Yayoi Kusama, Infinity Mirror Room – Phalli’s Field created in 196513 can be considered one of the most original objects of art designed under the influence of postmodern trends and technologies. This work can be easily analysed applying Lacanian psychoanalytic theory to practice because mirrors play the core role in this work. The more a person reflects on his/her self image in the mirror, the more he/she is likely to change in the inner world to adjust to the conditions of the outer world. On the other hand, it is possible that a person changes the inner world to have it as a shelter from the oppression and all negative fac tors that exist in the outer world. In this respect, it is possible to treat the mirrors as an instrument for initiating self-analysis. As suggested in the work by Peter Gay who analyses Freudian theory of psychoanalysis, â€Å"The physician should be opaque to the patient and, like a mirror, show nothing but what is shown to him.†14 For Lacan, however, mirror image has some deceiving aspects that alienate human from the real self by representing the Narcissistic illusion of self-autonomy. In this regard, the mirror in the Kusama’s work is the place for searching human identity on the dialectical relationship between ‘seeing and to be seen’. Lacan’s key concept regarding the mirror stage is for challenging the integrated identity that reflects human’s narcissistic desire for wholeness, totalitarian or self-autonomy which we should overcome to be mature. In addition, he thought integrated identity to be illusion of synthesis which is not reall y existent in the real world. For Lacan, human is in fragmented body in the real world and the fragmented body refers not only to images of the physical body but also to any sense of fragmentation and disunity. The life in society can be considered another influential feature in creation of this object of art due to postmodernities with regard to desire and values typical of times and cultures; many identities are reflected in the mirror and it is up to a person to see or not to see them. The objects on the floor of the mirror room can be treated as obstacles for analysis because the roles we play in the everyday life can differ greatly from what we are and who we are because of the necessity to adjust to the conditions of the outer world. Besides, the society that we live in often imposes the roles on its members in order to protect itself from misunderstandings. This aspect can be regarded as a great obstacle for analysis of a person, his/her real desires, fears, intentions, and b eliefs. In addition, the efforts of a person to take away those obstacles can be considered unavailing because the mirror room is closed whereas all objects are inside it and there is no way out except the door. It is possible that the only way to walk through the door is to recognise the reflection in the mirror and confront the uneasiness of the fragmented body in the number of identities assigned by contemporary life. Yayoi Kusama, Narcissus Garden, 1966 The next object of art for analysis is the mixed media Narcissus Garden created by Yayoi Kusama in 1966.15 The author managed to use the reflection received while looking in the water. This object consists of a pond and silver balls in the water. These balls are light enough not to drown while their reflection in the water can be treated as the reflection of each person in the mirror in the previous work of art. As suggested by Sigmund Freud in his study ‘On Dreams’, every dream has specific content16 that can be ana lysed. Moreover, every object depicted in the dream has a specific meaning with regard to the situation in which it appears. In this case, the balls that can be seen on the water surface can reflect the desire of a person to swim opposed to the possibility of drowning. Every object that can be analysed can be influential in terms of hidden desires or fears that can be revealed in the process of analysing those dreams. Though some dreams may seem strange, it has some points to try to analyse each of them in order to see the real nature of the soul. The pond with silver balls can be associated with a desire to see the number of identities. If a person reflects the pond with silver balls in the object of art, she may have some problems with self-identification. In other words, a person that experiences difficulties with analysis of the self can try to reflect those problems in this way. For instance, the number of balls can correspond to the number of identities or roles a person has i n everyday life and uses those while communicating with colleagues, building relationships in the family, and other situations. However, the surface of the water shows everything that is reflected while some reasons can be found for this. In this case, the balls are reflected in the outer world while an inner mirror is situated in the inner world. In this respect, the number of identities will be reflected in the water every time. Every identity has its own reflection in the outer world as well as every person can find his/her reflection in the mirror being a parent, a friend, or performing some other roles. In this respect, an inner mirror of the ego should show our Narcissistic desire towards independent entity. Every concept of life can be reflected in the inner world whereas it depends upon a person whether to let certain concepts into the inner world or leave those outside. As the personal life of every individual is full of certain events, all those events can influence succes sive events and the condition of the inner worlds. Thus, a reflection in the inner mirror can distorted due to the impact of all events that take place in the life of a person. The pond with silver balls can also be treated as the outer world with all its imperfectness and obstacles that appear on the way of a person when he/she wants to look at the Narcissistic reflection on self but can only see the numerous identities. Every identity can be reflected in the mirror of the outer world though it is up to a person whether to let those identities into the inner world to be reflected in the inner mirror. Conclusion The concept of self, reflection in the mirror, the number of identities and roles assigned to every person, feminism and male sexual organs can be traced in the objects of art. As the theory of Lacan is mainly based on the theory established by Sigmund Freud, it is necessary to mention the significance of his study for analysis of sexuality and gender differences. The Arch o f Hysteria reflects the power of human body whereas it can be treated in a different way when applying Lacanian psychoanalytic theory to it. In this respect, a human body can be considered the symbolic representation of human desires reflected with the help of postmodernism trends. Female critics of Jacques Lacan’s theory do not blindly criticise his theory; they try to see the discrimination of identity of woman in the analysis through rejection of the phallocentrism as a core aspect of most psychological analyses. In other words, Helene Cixous and Julia Kristeva apply Lacan’s psychoanalysis as the assessment of sexual features, desires (often sexual), and fears related to the gendered self. Lacan’s theory of the mirror stage demonstrates that our self-identification is based on an illusion of an idealistic image of completeness that does not actually exist in the real. And the imaginary identity created by the co-operation between Narcissistic desire and exter nal forces is subject to the fragmentation of identity in reality. Thus, the ideal-I acts in similar way as Sigmund Freuds ego in that it prevents this fragmentation from emerging to the surface. The main aspect that can be traced in the objects of art such as Cell (Eyes and Mirrors) by Louise Bourgeois and Infinity Mirror Room – Phalli’s Field and Narcissus Garden designed by Yayoi Kusama is the mirror and reflection of the self including the further analysis of the self. Bourgeois, Louise, Arch of Hysteria, [online image] (1993) http://t3.gstatic.com/images?q=tbn:ANd9GcQRGEe1PLNugRKw3A0wrsF-QJ0ToBCWwxChuVJBZaD9kHtzGB4n. Bourgeois, Louise, Cell (Eyes and Mirrors), [online image] (1989-1993) http://t2.gstatic.com/images?q=tbn:ANd9GcTWZbxfX_D-a19F-BU-6qNXKuCzeq4PmfOWm-A44JWo3bLL0xlv. Cixous, Helene, ‘The laugh of the medusa’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 2039-2056. Evans, Dy lan, An introductory dictionary of Lacanian psychoanalysis (London: Routledge, 1996). Freud, Sigmund, ‘On dreams’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1901], 2003), 21-28. Freud, Sigmund, ‘The ego and the id’, in James Strachey et al. (tr. and ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, London: The Hogarth Press Ltd., [1923], 1961), 19-27. Gay, Peter, Freud: a life for our time (New York: W. W. Norton Company, 1998). Kristeva, Julia, ‘Revolution in poetic language. The semiotic chora ordering the drives’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 2169-2179. Kusama, Yayoi, Infinity Mirror Room – Phalli’s Field, [online image] (1965) http://t0.gstatic.com/images?q=tbn:ANd9GcRtQ3bAAobkC0QnwZtBuVzQL2ieaGFxl_mTK1FU-DchCGMZ7H5XwA. Kusama, Yayoi, Narc issus Garden, [online image] (1966) http://t1.gstatic.com/images?q=tbn:ANd9GcTddGjC-EAyMHoj4Salu9YK7fhi6DL090HXcblqqK2pTLiHkeh-. Lacan, Jacques, ‘The mirror stage as formative of the function of the I as revealed in psychoanalytic experience’, in Peter Simon (ed.), The Norton anthology of theory and criticism (London: W. W. Norton Company, Inc., 2001), 1285-1310. Lacan, Jacques, ‘The mirror-phase as formative of the function of the I’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1966], 2003), 620-624. Nixon, Mignon, Fantastic reality: Louise Bourgeois and a story of modern art (MIT Press/October Books, 2005). Nixon, Mignon, ‘The she-fox: transference and the â€Å"woman artist†Ã¢â‚¬â„¢, in Carol Armstrong and Catherine de Zegher (eds.), Women Artists at the Millennium (Cambridge, Mass.: MIT Press/October Books, 2006), 275-303. Siebers, Tobin, Heterotopia: postmodern utopia and th e body politic (Lansing: University of Michigan Press, 1994). Footnotes 1 Dylan Evans, An Introductory Dictionary of Lacanian Psychoanalysis (London: Routledge, 1996), 119. 2 Ibid., 123. 3 Helene Cixous, ‘The Laugh of the Medusa’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 2039-2056 at 2039. 4 Julia Kristeva, ‘Revolution in Poetic Language. The Semiotic Chora Ordering the Drives’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 2169-2179 at 2172. 5 Jacques Lacan, ‘The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience’, in Peter Simon (ed.), The Norton Anthology of Theory and Criticism (London: W. W. Norton Company, Inc., 2001), 1285-1310 at 1288-1289. 6 Tobin Siebers, Heterotopia: Postmodern Utopia and the Body Politic (Lansing: University of Michigan Press, 1994), 2. 7 J acques Lacan, ‘The Mirror-Phase as Formative of the Function of the I’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in Theory: 1900-2000 (Oxford: Blackwell, [1966], 2003), 620-624 at 622. 8 Sigmund Freud, ‘The Ego and the Id’, in James Strachey et al. (tr. and ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud (Vol. 19, London: The Hogarth Press Ltd., [1923], 1961), 19-27 at 33. 9 Louise Bourgeois, Arch of Hysteria, [online image] (1993) http://t3.gstatic.com/images?q=tbn:ANd9GcQRGEe1PLNugRKw3A0wrsF-QJ0ToBCWwxChuVJBZaD9kHtzGB4n. 10 Mignon Nixon, Fantastic Reality: Louise Bourgeois and a Story of Modern Art (MIT Press/October Books, 2005). 11 Nixon, Mignon, ‘The She-Fox: Transference and the â€Å"Woman Artist†Ã¢â‚¬â„¢, in Carol Armstrong and Catherine de Zegher (eds.), Women Artists at the Millennium (Cambridge, Mass.: MIT Press/October Books, 2006), 275-303 at 277. 12 Louise Bourgeois, Cell ( Eyes and Mirrors), [online image] (1989-1993) http://t2.gstatic.com/images?q=tbn:ANd9GcTWZbxfX_D-a19F-BU-6qNXKuCzeq4PmfOWm-A44JWo3bLL0xlv. 13 Yayoi Kusama, Infinity Mirror Room – Phalli’s Field, [online image] (1965) http://t0.gstatic.com/images?q=tbn:ANd9GcRtQ3bAAobkC0QnwZtBuVzQL2ieaGFxl_mTK1FU-DchCGMZ7H5XwA. 14 Peter Gay, Freud: A Life for Our Time (New York: W. W. Norton Company, 1998), 111. 15 Yayoi Kusama, Narcissus Garden, [online image] (1966) http://t1.gstatic.com/images?q=tbn:ANd9GcTddGjC-EAyMHoj4Salu9YK7fhi6DL090HXcblqqK2pTLiHkeh-. 16 Freud, Sigmund, ‘On dreams’, in Alan Sheridan (tr.), Charles Harrison and Paul Wood (eds.), Art in theory: 1900-2000 (Oxford: Blackwell, [1901], 2003), 21-28 at 21.

School Essays

School Essays School Essays School Essays: A Perfect Bargain School essays are things, which spoil fun and interesting school life of any student and keep them away of sleeping calmly at nights. A lot of students just hate writing school essays as this task demands some particular academic writing and research skills and much hard work as well. In order to write even the most simple school essays one needs to spend at least several days working, searching, researching, analyzing, arranging. That is why many students apply to the custom essays writing services in order to buy their school essays. With the help of any custom essay writing site, it is possible to order school essays in order not to spend your time and your nerves to write school essays, which you hate to write. Our site is not an exception. With the help of our site, you can order school essays on any topic you need. As only professionals work in our essay writing team, all the orders we complete always win the highest grades. Thanks to the experience of our writers, we are able to cope with any deadlines. Moreover, if you like writing school essays by your own, however, you need some additional help, our site is also here to help you. You can find anything you need to write the best school essays: citations, sayings, proverbs, and even samples of school essays free of charge are available for you to use and enjoy. It is very useful to read different school essays written by some other authors. While reading, you may get a perception of what you need to write in your own school essays. Especially, if you come across school essays free, which are presented for your convenience at our site, you may read as many samples as you want to as they are given to you free of charge. Proofreading school essays are one more option we offer to you if you write your school essays without someones help. As a rule, when a person reads his or her own school essays, it is too difficult to notice the mistakes. However, when a professional with the sharp eye reads school essays, he or she finds all the existing mistakes and corrects them. That is why it is but necessary to proofread ready school essays: You see, our site can be very useful for you. Enjoy the high level of servicing and our low prices. Where else will you be able to find such a perfect bargain? Read also: Research Paper no Plagiarism Research Paper Example 10 Page Term Paper 3,000 Words Term Paper SFU Great Term Paper

Media relations Assignment Example | Topics and Well Written Essays - 250 words

Media relations - Assignment Example Families and children are matched in a bid to establish the very best family for every child. The volunteer couples are expected to donate their time and emotions for the children. Every volunteer couple will perform the duty of parents in the Virtual Family Program, and pay frequent visits on a weekly basis to their proposed child for his care and emotional fulfillment. After the completion of nine months of frequent visits, the couple will be eligible to take the child for any recreational visit they like for mutual acquaintance. The objective is to make sure a successful experience for both the child and the family. The Virtual Program will offer a social incubator to create usual and cultured members of community. The volunteer’s couples adopt the child if he accepts them as parents. Consequently, to become the adoptive parent they will have to fulfill the psychiatrist. Thus, the adoptive children may continue their stay at the Sweet Home Orphanage as long as they desire. the first interview session will be carried out May 21, 2013 between 09:00 hours to 15: 00 hrs at Hotel Stanford, 43 West 32nd Street, New York City, NY 10001. Those volunteer couples who are interested can Email info@shorphanage.org, Telephone: Toll Free (800) 365-7779 for further inquiry. We welcome the opportunity to respond to your questions, and offer more

Review of Rain Man Research Paper Example | Topics and Well Written Essays - 750 words

Review of Rain Man - Research Paper Example There are a number of critical perspectives on Rain Man that argue the film positively contributed to society’s understanding of autism and individuals with mental disabilities. In this context of understanding one considers Kim Peek, the inspiration for Dustin Hoffman’s character in the film. It’s understood that following the film Peek found a new degree of confidence and heightened sense of mission (Treffert). In these regards, Hoffman’s depiction of autism is interpreted as empowering and beneficial to social understandings. Another understanding is that as the film demonstrates Raymond’s significant emphasis on routine -- among other peculiarities -- it allows individuals greater insight and understanding for people with autism that exhibit similar character traits (Solomon). This is a perspective that was shared by the filmmakers, including writer Barry Morrow who cried during an award acceptance speech and noted how the film positively change d perspectives on autism (Perring). Although many argue that the film’s depiction of autism is unrealistic, converse perspectives contend that the film did not try to specifically depict one form of autism, but is instead a conglomeration of many disparate elements ("debatewise"). Ultimately, it’s clear the film shifted perspectives on autism in many positive ways. ... Critics have noted that in addition to demonstrating new perspectives on autism, the film also demonstrated Raymond’s emotions and challenges socially relating to his brother (Giordano). It follows then that these emotions, which greatly contributed to the narrative, also allowed the audience to significantly identity with the Dustin Hoffman character. Through this identification the film was able to change perspectives and increase autism awareness, giving it significant social utility, and making it important. While there exists a great degree of positive views on the film’s depiction of autism, others argue that the film changed social perspectives in negative ways. One major perspective in this mode of investigation considers that Raymond -- Dustin Hoffman -- is depicted as better off in the mental asylum. It’s been argued that this depiction is harmful to individuals with autism as it glamorizes the asylum environment, subsequently restricting the freedom of people with autism (Solomon). Other criticisms of the film argue that rather that the film glamorized autism and shifted public perception such that a wave of self-diagnosis took hold that is actually harmful for individuals that are truly autistic ("debatewise"). While such arguments constitute perhaps the most scathing criticisms of the film, other have argued along less stringent lines. One such perspective contends that the film, while accurately portraying a savant, stilted public perception of autism (Lacob). In these regards, critics argue that the vast majority of individuals with autism lack such savant-like abilities, yet the film changed social perspectives to a belief that this is an element that is